Kelan Nee
Summer 2025 | Poetry
Five Poems
Digging
In the ditch most things make sense: the water
filling the soil falling. A logic only holes have:
The twopart process of gluing pvc: a primer
& adhesive. Both’ll get you high
if you breathe hard enough. After, when the waters
put back where you wanted it and the soils giving way
to what collected you can let your feet dry out
in the hot air. You remember the feeling of being
a flywheel flying, freed for a moment from the fear,
given for a moment the lie. Keep digging:
Look at me down there knees worn through
my arms working, a deadness
I lived full stop full tilt, the most comfortable position
always lying. It was easy. God was the honey creeping
down the side of a jar. Everyone was a tremor
in the leg. Look at me smiling. I mean it. Watch
how I look to the sky, how I rise the way birds
are compelled to sing because it’s becoming light:
Deeper now you said go deeper. & I keep unburying
what’s left. What’s left isn’t the volume we made. It’s quiet:
the hot air the mosquitos & me. The quilting coming
up through the sheets. I miss you towards dark. I still do
still try. I’m left saving my breath, remembering
how at the end of every working day the dirt
I took was always more than I could put back in.
Words to be Whispered
The fantasy of coming home
to a house devoid
of furniture: the burning
mattress
all that’s left: look at it:
barren & wrecked:
this is what you want:
the optimism of smoke
curling around a head,
animating the air
lubricating the lung:
in the morning,
(always in the morning)
the shock
the relief & frustration
of light growing
This room: These hours:
That sink: Those dishes:
Laundry: Lovers: four
fists: empty space: palms
Myth
In the story everyone disappears,
or nearly everyone. If I were left
behind, I’m not sure my life would be
so different. I guess I’d run
out of food. Fewer phone calls. Less small
talk. More sadness. I’m building a desk
these days, with a man. For hours
we move wood through machines,
we glue wood to wood, we screw
wood to wood. Sometimes we talk.
I’m only realizing how much time
I’ve spent alone. Most of my life,
I think. If everyone were gone I don’t think
I’d drink. Though that one’s hard to foresee.
My father strung together eleven years
more than once. Tom relapsed after 30:
They’re both dead. I already miss them.
I don’t know that I’ve ever wanted to share
anything before now. Listening to the
wind blowing through branches and birds,
I remember going to the market in St. Louis,
the small one on the corner with someone
I was beginning to love. We fought.
My life is easy now, and it is boring. It feels,
recently, like practice for the rapture.
There is a storm, and I’m in it, and it is
inside. Between the gusts, creaking
in the limbs. I’m seeing the lightning when I close
my eyes. It makes no sound.
No one is going to touch me again.
Motor
Intake, compression,
combustion, exhaust.
Suck, squeeze, bang, blow.
The dark stone rising,
the light rock rising,
the suck before the squeeze,
the bang before the blow,
the cobblestones rising
on the walk
to the gas station again,
another case, another
bottle, the inside
of the car,
the feeling of skin
on your skin when
you had skin
on your skin,
being inside
the skull, the bang
before the blow, that suck
squeeze bang blow feeling,
woodgrain upholstery,
lean your head back
into the drywall,
the Ogods the Nogods,
those lies, how good
they tasted, that thin
magic, the no I’m not,
the yeah I stopped,
the never again,
and its picking up,
feel it sucking,
feeling it
squeezing, and you’re
gone finally, finally gone,
the night coming gentle
your little engine
turning over,
there’s the coin
tucked behind
your fingers,
there it is again
coming through
the fine hair
ahead of someone’s ear,
remember
how much shorter
the roof was
when you let
the engine run,
how the teeth
of the saw
seemed so much
duller, remember
how everyone left,
remember how you left
everyone,
all those people
you forgot so fast,
these mouths, those hands,
seeing rabbits
in the lawn
leaping, stars
in the middle
of the day,
shapes and sounds,
sucking, squeezing,
banging, blowing,
remember how bad
the sun hurt,
the water and salt
coming from
your skin, little needles,
how deep
the quarry was,
how easy not to
come up for air,
remember
the choking,
the smoke,
the squeeze,
those fingertips
against your neck,
engine stopped
the pulse
kicking over
again, remember
the light
remember
the this is how it is,
the this is it, the suck
the this is how
it has to be,
the squeeze,
the dry out,
the bang,
the come on,
the remember this
come on.
Eden
It is
an ugly place,
where living happens
despite. Look
at them: making
up names for
anything
with legs. See how
they run
their hands
as cups
through the water
and bring it
to their lips. Look
at how
crooked
their alphabet.
Bewilderment
while the world
builds up
around them.
and the sheep
break a hole
in the fence. How
they swallow
the people
they miss. The way
they use
words as if
they have nothing
else: saying moon
when they do not
yet know
the word
mirror. How they
stop speaking
when they
have nothing
to say. Watch
him
on his hands
and knees
crawling
around
the shop floor,
his joy pulling
a spring
from beneath
a dusty table:
the revelation
of it. That fear
in wonder. Still
figuring from
which little
machine
it has fallen out.
Kelan Nee is a carpenter, and poet from Massachusetts. His debut collection Felling was the winner of the 2023 Vassar Miller Prize. His work has appeared in Poetry, the Paris Review, the Yale Review, Adroit Journal and elsewhere. He lives in Houston where he is a PhD candidate in critical poetics and the Editor of Gulf Coast Journal.