David Ehmcke
Summer 2025 | Poetry
History of Story
Something unseen stirs in the actual grass.
Is it a wolf again, or does the threat bear
the weight of the real? Mist rolling over rolling hills
sets the scene for a monster the imagination
conjures in the gaps where vision fails.
“Why did you lie?” the man asked his husband,
the break in his voice betraying the pang
of revelation that comes once the princess pulls
the mask from her dancer, revealing all night
she’d passionately held the villain’s hand.
Every answer sprouted questions where clarity
was meant. It was a hydra of a thought. Predicting
the possible twists in the tale could make a listener
sick: the betrayed hero, the dead sidekick, the details
of a pirate ship lost in a too-stormy plot…
Why tell it? A matter of boredom, power,
or protection, no one—not even the author herself—
could precisely say. It was a way to fuse my life
in the world with the life of the mind. At her old
metal desk, she considers this fact, then commits to it.
Across the years, a mother cries, God,
I just need my son to fall asleep! Scheherazade winks.
Morning comes, its scant crows
streaky yet sharp, chicken-scratch characters
drawn on the sky’s prodding white.
The man studies his husband’s face for answers.
Was he lonely, angry, or never in love? The suspense
was unbearable and the bedroom began to reek of red fish.
“Don’t make me ask it again…” Tree branches
at the whims of the wind beat at the window, leaning in.
In the last days of her life, of her life the author wrote:
It was a crisis of invention, a touching in the dark. In the dark,
turning from corner to corner again, I feel
at the edges of what she felt for, ask, “What is it?”
The End.
David Ehmcke lives in Brooklyn. His recent work has appeared or is forthcoming in The Drift, swamp pink, Image, EPOCH, The Adroit Journal, MAYDAY, bodega, and like a field. David's chapbook, Broken Lyre, was the editors' selection in Quarterly West's 2025 Chapbook Contest and will be published by them in the coming year