John Gallaher
Winter 2026 | Poetry
Mid-Century Modern
I regret having regrets, and not being one of those “NO RE-
GRETS” people with their “one-time” things, and that’s as close
as they get, as they’re sitting around a campfire, turning orange
in the late night glow, getting all real with each other, looking into the spaces
between logs, bits of yellow, white, and black, and seeing nothing
but bits of yellow-white-black. And their beige or white turtlenecks
under plaid vests, holding mugs of hot chocolate in two hands and laughing.
I’ll be the revenant in the distance, claw scratching at the car door
or rising from a lake, as if regrets could make you immortal.
Television is insane. It’s probably a beer commercial I’m picturing.
But you’re picturing it, too, right? And how white
their teeth get? How do we deal with that?
Like people trying to dance who have only read descriptions of dancing,
with architectural slides and various color dissolves.
*
When we don’t know what something is about, we’re told
to think of it as a comment on time. A lot of things, then,
are comments on time. I was born
filled with time. I’ve been passing it out ever since.
Maybe we’re noticing each other there, for the first time even, horizon extending
all the way to Tuesday. Call the prop department, there’s something
amiss. My biographical note has turned into a commercial for shampoo
and imported beer. Surely that’s not what I wanted?
As one who falls asleep over their life, unaware of the change.
There’s a room off to the side where we can store
our various garlands and seasonal particulars.
Leave the clear light strings out, though, as they’re festive
and soften the edges of the trellis, where one might linger too long
otherwise, in these ambiguous shadows at certain half-open doors.
The Perfect Name for It
As we feel right now making a decision, that it’s made,
but then here comes the evening followed by tomorrow
and it’s still hanging around taking up space
and demanding attention. Alphabet. It’s from the Greek words
Alpha and Beta, works perfectly. Frogs. Those things
are definitely frogs. And then we open the closet
and twenty years of stuff pours out we didn’t know what to do with then
but didn’t want to throw away, and now we’re regretting
our dreams. Water-
fall. Firefly. Most things in German. Aromatic Hydrocarbons.
Gorgonzola. Squeegee. Thagomizer.
If I were to kill myself, I’d want it to be that I get to simply vanish.
I’m not supposed to talk about it like this, that there are ways
and we think about them sometimes.
*
I love the world on days like this. Pop. Fire-
fighter. Toxic productivity with our besties. Growing up, as I did, in outer space,
it was very hard to understand gravity. I was helped
by thinking of it like magnetism. It’s helped me with my relationships,
too, but only at first. It’s the little things they’re talking about
in the castle, sourced from obscure texts and Gen Z nostalgia.
Aibohphobia. Walkie-talkie. Am I being ambitious enough?
Windshield. The End Is Near parade
and The End Is Nigh parade meet at Echo Park.
It’s brewing toward a fight, and we have to decide if we should push it
or put it off, as one does with expectation and stress, and these are real questions up and down
the organizational chart. I’ve watched it all night.
If I could tell my younger self something, would I?
Why are you asking?
Apology Tour
I get why we have memories, they’re really helpful
in the “where did I store my nuts” way, but what about all these other ways
they fall apart? Wait, did I meet Carly Simon or was that you?
When’s the party again? Who am I married to? Get too self-indulgent. Lean
into the Yelp review. As one says, the trick
is not to get it right, but to not get it wrong. But this
sends the boats off with way too many provisions
and now even that is lost. Remember, these are all just questions.
The seas rise. The great stars shine. Shh,
I’m being majestic. I’m on the sugar high of my new job as competitive memorizer.
As one who says, “I’m afraid of everything I want,” please forgive me.
A bachelorette one time in Louisville had to kiss the next man she saw
after her friends spun her around after vodka shots,
and it was me. She was wearing a tiara, and her eyes were flashing.
*
This is how I document my agility:
Time / Distance / Speed. It turns out, you can make this shit up after all,
and sway in the fall breeze, in the music of that, hidden over the top of your furniture crisis.
And then, I’m back home again. I’m on my bicycle
in town, and a woman on her porch calls out, then pulls up her t-shirt
with nothing under it. I’ve no idea what the proper response is.
This time, I waved. I said, “Summer!” It was the least I could do.
I think. I mean, I could have ignored her, but that didn’t seem polite.
She was obviously committing to the bit, both of them,
and I felt I had to respect that. Heidegger talks about
the “moment of vision” as an experience of insight
into one’s situation, that breaks through the fallen temporality
of everydayness, and confronts one with one’s authentic, historical
temporality. Yeah, that’s it. That’s what I should’ve said.
Hinge
Wouldn’t it be nice if everyone did nothing for 24 hours?
At the same time. And then, define “nothing.” And then your cool idea
for conceptual humanity really puts the cat
in catapult and the Hubble tension crisis continues to roil physicists.
Given the circumstances then, it’s back to work on our sawdust gum
or our dog hair gum. Remember how schedules used to make us so mad?
And intention, and plans? The way Salvador Dalí would relax
on a couch or whatever, holding a spoon, so that
when he started to doze he’d drop the spoon onto a plate,
and he’d snap to, and then he’d write or draw something.
I wonder if that worked. Or if he really did it. I mean, nice story,
commitment and all that, the dooryard blooming behind us, allusions
to everything we knew or thought we knew, because anyone within five feet
of a door, it seems, is invading and apologetic, as a form of greeting.
*
I’m sorry, I left my emotions at the office. It’s part of our new
filing system. We get an email alert as well as one
on our phones. I was thinking “Redemption Tour,” helping this little old lady
across the street, but I was told that it’s not for me to say “redemption”
about my own tour, and also, she didn’t want to go across the street
so it turned into something of a fight. Here goes all hopeful things.
A threat is just an opportunity in a Halloween mask.
And the depth of your yes. The running flame
of your yes. The disaster of your yes. And here it is once again, Cow Tongue Day,
where we throw a frozen cow tongue
until it thaws and something else is supposed to happen, someone “loses,”
which sounds like all of us, come to think of it.
Lives end up in different places is all. And
please, at the reception, act like I don’t know you.
A Thousand Dorothys
In his final year, my father and I were in a production
of The Wizard of Oz but our roles kept changing.
Which of us is supposed to get courage? Heart?
Who gets the brain? And Dorothy’s no help.
A thousand Dorothys are no help, when you have
to write all the jokes backward, reverse
engineer from the punchline, and you’ve to mark the trail
with little slivers of quartz in the trees in a secret way
only you’ll be able to follow. Dad, this person
is trying to help you. Don’t call her a bitch and throw
your food. Dad, please use the toilet.
This is my show, one says. As if owning a piece of air over the stage.
Dorothy gets used to playing her part, and tries
to keep it going long after it’s plausible casting.
*
Hollywood is another metaphor for grocery shopping. Like clothes
are a metaphor for the soul. Like survival is a metaphor
for purpose. Like purpose is a metaphor for love.
And Dorothy’s dog is limping, for old time’s sake.
The snake oil salesman with a heart of gold hasn’t had a drink
all day. Let’s go outside the moment a minute,
dad. Let’s play the part of the flying monkeys.
Here’s a little blue cap and a bucket of water.
All of my minds are busy right now. So here’s my
admission. I decided to call him, a year after his funeral,
at his old number, which felt real
and honest and truthful. It wasn’t even on accident.
I just wanted to know where our numbers go.
A guy answered. He sounded young. I said sorry.
John Gallaher's most recent book is My Life in Brutalist Architecture, a poem-memoir on adoption. His eighth collection, Radio Good Luck, will be out in 2028 from Four Way Books. Gallaher has also edited two collections, with poems appearing in American Poetry Review, Poetry, New England Review, Colorado Review, The Best American Poetry, among others. Gallaher lives in northwest Missouri and co-edits the Laurel Review