Jess Smith
Winter 2026 | Poetry
Memo from the Chancellor, Winter
“This directive is the first step of the Board of Regents’ ongoing implementation of its statutory responsibility to review and oversee curriculum under Senate Bill 37 and related provisions of the Education Code.” – Memorandum RE: Course Content Oversight and Review, Texas Tech University, December 1, 2025
I want to know what you feel at night. I want to know
how still you turn when he touches your cheek. I need
direct eye contact, fingertips along your thighs to measure
the hem of my devotion. I’m interested in your
development. Pedagogic frostbite. Metaphorical
flurries. I want to know why you wake, and rustle, and rise,
and feel moved to sway at your own snowlit window. Why
does the moon mean so much to you? What have you told them
I did? Everyone loves a good he-said, she-said. It’s always so hot
in here. My own mother left right at bedtime; said I was the one
to keep the hearth warm. And here I am, lonely fool, still
holding her old poker. No bedside lamp can mimic
fire’s velvet grip. I’ve grown intimate with imitation. You
better watch out. You better not cry. I was once sure
about the world and its preponderance. I once felt I could say
what I meant. Now, please, will you recite for me? My hand hovers
above your cheek. Are you singing? The fire quiets. Snow
spreads its rumors. Let me be clear: I do love you. I am
sorry. And you of all people should know! Night comes
in one of two ways: tenderly, or like a sniper.
Record
What have you done
with all the footage?
My elastic, wet body
without recourse
nor subtlety. I remember
the fireproof box
you kept under the bed,
protecting hours
of your war recordings.
Is that where
you stash me now?
I never saw you
discard anything
willingly. I hope
you pull the box
from beneath the bed
while your wife sleeps–
and that when you
watch me, all three
of your eyes weep.
Spring Fever
I walk the spring path to your secret house. My fingernails
are azaleas in that they flex red and wither. I am paid to teach
a lexicon I cannot navigate. What I really want to say must raise
its hand and wait. Once I dated a boy who claimed his secret talent
was naming every preposition in rapid, alphabetical succession.
A hysteria of seduction. Like these pale magnolia trees announcing
spring. Have you ever known a stiffer petal? Worse than cheap hotel sheets.
I told that boy that the best prepositions were next to, behind, astride,
and he said that wasn’t how his secret talent worked. The flower
of his face closing like a throat. Even in spring
men suffer. Even in spring the sky withers. I’m so afraid
of boredom. I panic in the certain heat. You say, don’t feel
bad. You say, we’ll be afraid together. I stand on your porch
and shiver. You say come into, you say come onto, you say
come during, before, after. I like you because you demand
my presence. I like you because you stand in your backyard
banging the door knocker of my heart. I like you because none
of your talents are secret to me anymore. I like you
because we’ve both come back from the dead, like daisies,
like dandelions with their two-headed life. We came here
tonight to die of liking each other, to perish while the shadows of spring
stain the sheets. Whoever called it a small death hasn’t lived
against, into, through this. In your rigor mortis fists, crushed
magnolia petals. In your autopsy, my wet eyelashes.
Apologia
I tried being
unapologetic – it seemed
sexy, elegant, French. But I
was too American
and too sorry. What I mean
is, I used to be
in a sorority. I made
so much noise. I kissed men
who would grow up
and destroy
New York City: commercial
real estate brokers,
general counsel,
private contract
military, and even
regular military. I’m sorry
for disrupting
the silence. I forgot
there were other
patrons in this sorry
establishment. I’m sorry
for that night
in the thunderstorm
when you hit my bare
ass with a Bible. Who
would do such
a thing – or rather –
who would allow this
to happen? Why
did you have a Bible
in your car? I shouldn’t
have let you pee
in the street, pee
where you pleased. There
are rules about
sanitation for a reason.
My fingers are never
greasy and my nails
are always red but
I have had
occasion to leave
a mess. If I had
confession, what
would I confess?
A priest is
the number one
person you should
lie to – just a cop
in a dress. I’m sorry
I was the oldest sister.
I’m the kind
of person who
needed an older
sister. My mother
is so loud when
she weeps. I want
to shush her, and for that
I am sorry, but
there are other patrons
in this extended
family. Lately, I let
a lady inject
poison into my face
and I’m sorry for wanting
my face to stay
as it was that night
in the thunderstorm,
damp Bible in your fist
swinging through the fog
like a scythe.
Luke 6:37: Do not
condemn, and you will not
be condemned. Forgive,
and you will be
forgiven. I don’t know how
your car withstood the force
of our gesturing. I don’t
remember how
we agreed to lie
that much, or for
how long. I hope that when
I die people will
describe me as
unapologetic, but I think
more likely they’ll say:
stimulating, troubled, hot
to the touch, boisterous if
they’re putting it
gently. No one minds
a little posthumous
euphemism. Listen,
I can hear
your voice
across the Plains.
I can hear you
demanding that I
apologize. Matthew
1:22: The worse
I am, the more
you ask for.
Jess Smith is the author of Lady Smith (University of Akron Press, 2025). She is an Associate Professor of Practice at Texas Tech University, where she also directs the MFA in creative writing. Her work can be found in Prairie Schooner, The Cincinnati Review, Waxwing, 32 Poems, The Rumpus, and other journals.