Kirk Wilson
Winter 2026 | Poetry
Dear Mama
It’s been a while
since my last report
There are scattered bits of light
in my bowels and a fish
is sleeping in my liver
I’m still at your place but
it doesn’t feel so much like home
I do have my ambitions
I hope to rise up
like the killer birds
who ride wind
and study the whole
You’ll remember Odds Bodkins
who lives next door
in another kind of time
My life waits to hear from him
but doesn’t
outside a perfect feather
now and then
Meanwhile our species has gone
crazy for the void
We’re busy
building roads to get there
Today the traffic’s bad
The terror cops are loading
people into vans
Nobody wants to think about
what’s underneath their masks
Bandits
Yes I own a car
Yes a roof
keeps me from flying
I only fall
through the future
There is this small confusion now
that bandits have stolen all the laws
and aimed them
To not see their faces
people walk with eyes shut
The steps are so precise
as though we’ve seen the movie
The trees go still
The stones mime sleep
Each time a cruelty happens
there is a sing along and then
the surface of this poem
will blink
Real Life
In the fashion districts now we see
the fascist outfits in the windowpanes
The wind is stuck outside
and it holds grudges
It body slams against the gold facades
producing fearful spasms
in the mannikins
Just look at the stones piled up on one another
like they know it all
Just look at those black holes we found
under the bed
We’re all impostors here no worries
Nobody gets to understand
how much these words want off the page
Surely it’s the oceans’ outrage that we feel
Surely we’ll crush the demons
and dance on their nerves
Surely their souls are made of glass
and will leave in small boats
Surely our parents wait inside us
willing to try again
Poem and Situation
A dead character is onstage talking
and it is easy to feel how some
in the audience see this as a threat
or an annoyance though the speech
consists of sentences as everyday
and beneficial as a bag of groceries
No poem could hate this even if
the character is undocumented
and the wind moves through it
and for the moment it is free
of bloodstains and rictal grins
and fills its outline as though it lives
death to the fullest the poem would see
the character as past and future
in other words time established
as a situation so much more relatable
than the plain fact of eternity
just as the poem could not deny
the many situations that have come and gone
in our lives like words spoken on a stage
We are of course also a situation
but one that has not been solved
the words are still being said
the story time has placed in us
and we have told it back
is still alive and no poem would dispute
the way the wind that moves
through the dead also moves
beneath the wings of sparrows
who are for the moment free
I Am to Myself Uncanny
In this way I am the nation
the world and the cosmos
and I can tell you nothing
about why I’m here
I can describe this problem
in a number of ways
As for example
a painterly realism
a nude sleeping
by an open window
The nude dreams a sky
that shows a band of jays
a surefire way out
as for example the time
the angel arrived on the train
to check for signs of life
and left a trail of cake
crumbs through the station
There must for example be a word
carrying the genes of the original
word that left nothing out
which I would know if I weren’t
always late to meetings
where all the fateful motions
are already voted down
No doubt when I die
the spirit will pack in the dark
and leave in a rush I understand
because I too am desperate
to break into the light
in a place where the grass is wild
enough to swing in the wind
What to Do About History
Close the door
Close the eyes
We live in the weather
like it or not
This is what I learned
from you and you and you
who stay out under the statues
and won’t come home
even on a path of words
You’re right we need the poems
to be more real and say real things
History lies around inside us
like a deadbeat
History wakes up exactly
like a horse spooked
and tearing through the forest
which is the night of our bodies
It does terrible things
it can’t even remember
History of Cloud Stack
of Money Sack
of Ghost Wind
Find the rhythm of the running horse
Ride and turn it when you can
Feed it breakfast and hug it by the neck
Don’t go wild too soon
Be afraid for everything alive
Learn how things you’re afraid of
survive
Synonym for Counter Melody
I arrive on the platform
a little like an angel
a little like a cactus with gears
Whatever you are I know
we are too much trouble
for each other even if
we are hopelessly in love
with detail and blind
to everything that matters
Because I listen to you
we are nearly interchangeable
and despite everything
working against it
your words open a glade
alive with bumblebees
and sunning minor prophets
You know me
I sometimes have problems
saying what I want
I want the kind of quiet
that is afraid of itself
I want a cicada’s colors
maybe its eyes too
You can imagine
what a state I’m in
I’ll leave the running
of things to the fools
the night to the light
inside it
I’ll wait here
til the government falls
and everything changes
Kirk Wilson’s books include the poetry collection Songbox, the poetry chapbook The Early Word, the story collection Out of Season, and Unsolved, a nonfiction crime study. His work can be found in Conjunctions, New England Review, poets.org Poem-a-Day, The Yale Review, and other journals and anthologies. His awards include a National Endowment for the Arts Fellowship, the Elixir Press Fiction Award, the Trio House Press Trio Award, Editor’s Awards and other prizes in all three genres, and two Pushcart nominations. Kirk lives in Austin and in Minneapolis. His website is www.KirkWilsonBooks.com.