Sophie Appel
Winter 2026 | Poetry
Joan of Arc
I I say it 3 times
I’ve been rushed toward an answer
Stock pot and chicken bones I’ve been crushed and malevolent
Uncaring and washed of the dock stopping stone cold
the people you place are the bed you lay upon
The soup that is made from cognac and cats
5 angels surround the front of my television
so that I can be protected by reality in its image.
Coyotes in the trees designing the direction of the wind came to the door
threw purple flowers against the glass and seed pods against the ground
trouble upstairs music notes pounding and falling downstairs to the piano
each step different notes creating a frenzy drove out the door and into
lighthouses.
Appearing in the leaves the coyote would bring whispers of trouble.
Knives and blows later, court cases and smoke later,
my own car and never coming home later I started
coming home later with everyone I knew.
Filling up the room with as many people as I could fit in one bed and on the floor
Nobody ever knew the difference.
When we slept in piles it would keep away trouble, but sometimes it would bring bugs.
It’s was her last night in town and so she thought she should take
something to remember all the angels by and
the night felt cold even when he told her
“There are places where it’s actually cold, not like Los Angeles.”
Before, it was the kind of thing only happens during certain full moons
And when she would let anyone be nice, anyone compliment her ears
It was dark outside, the houses were big and the streets were big too
Everyone’s doing recon on themselves.
Every mark missed.
Every time I get close I move.
Everyone is here.
Things have really taken a turn from
The myth of the children’s job at parties to
branches twist up around each other,
vines that cover a chainlink fence, its likeness is the diviner.
She’s set in her divinity as long as she doesn’t focus
which is why she keeps her glasses off,
after some generosity and data collection on his couch
The future is a long way forward and she can see his barreling
toward him through his feet
The more senses gather, the more they were willing to relinquish,
the less suspicious, the more eternal they became
She’s not saying she wants to be happy,
she’s saying she’d prefer to not listen
to the guy who brings whiskey to the bar.
She’s saying as long as she can’t see, she will be warm.
Standing up slowly I wipe the sweat from my cheek
I wipe the tear from my cheek I rinse off in the river
I’m blessed by his hand in holy water from the Hop Louie 2 dollar water bottle
He makes a cross on my chest
When we sit in their apartment eating bread we recite prayer
and with my fingers purple I light 2 candles.
I’m laying onto everyone I know.
Hearing voices revealing she do god’s work
They say she lead them to victory treading forward forth forgetting
The 100 years war
She sees visions hears voices for years before
deciding to follow them and following them she in men’s clothes
expels the English from French territory
with Michael as her first saint
The voice of an angel
a beautiful modest sweet voice testing the peasant girl
Her bravery inspired to bring her back into the hands of god
Everyone’s doing recon on themselves.
Every mark missed.
Every time I get close I move.
Everyone is here.
The fire is hottest when its flames are blue
This time really I was frightened,
what lives inside him is fierce and biting
Another animal wrapped inside of razor wire
to lash at each word that could be seen in two ways
My brother said I can’t hear because I’m not here at all
When you tear apart what’s around you
the decay begins quicker than you can imagine
Being drawn to decay he puts it all into his mouth
Plays with it, rubs it onto his face and looks to you
It is a lesson in watering seeds
So make
A blessing
Use water
Fog horns sound out in the bay,
I can hear them from where I sleep
Keep driving north and eventually you won’t have to see,
Governing our own small bodies our spirits of trouble
Caking yourself in dirt beside the river
in mud beside the hot springs return smelling of sulfur to school
build a hole in the sand to bake inside of
Feel yourself falling into the earthquake
When we sing in a chorus under redwoods
at night we burn cedar combatting
When I arrive I will have wrapped in cloth
salt and garlic
wandering in safety in unknown landscapes
protected by these elements shield like they said
I draw herbs from bags made of plastic and jars made of glass
with my fingers and I sprinkle them into jars
and the herbs get stuck underneath my nails
so they appear as though they are caked in dirt
like beside the river
or in the water at night and everyone’s naked
and you’re all looking at the moon
Heaven Tomorrow
In every magnolia tree in New Orleans where
birds hear me telling you
“Fine then I’ll have a baby with someone else “
and they respond “no”
I say
“well, okay, then one day in the sunlight”
Laying naked in our ancient bodies
we will be switching our socks
You’d said my fingers should be made from California poppy
But actually they are California lupine
or Cleveland sage flowers in fact
Then wood
And then when I left I made sure they were made from your eyes
so when I looked at my steering wheel I could see you
And we have to be simultaneous:
Hamlet
Sandwich
Cup from the drive thru
And in the dark
the same place
the same time
the same eyes
the same body
the same sleep in a bed in a hotel in Paris that is at least two centuries old
in the truck near Mendocino
on an airplane to Germany
on a train lost in Brooklyn
I’m going to replace you with a memory of you
that is going to be replaced by you in the future
On a boat, a ferry
like the one that crosses the English Channel
from England to Holland overnight
You’d said
So I won’t get too emotional I’m going to replace my heart
with an apple and bury my heart in the soil
and when I return we can go find your heart and switch it back
and switch our ears
and switch our books
So you’ll point to everything in Los Angeles and tell me what it is
you’ll point to my ribs on the left side
and you’ll say here’s the 405
and you’ll point to my collar bone
and you’ll say here’s the 101
and you’ll point to my thigh
and you’ll say here’s the 90,
I can’t believe you don’t know about the 90,
It's because you’re from the west side.
And because I’m made up of all the roadways in California,
meaning the world
meaning we have switched everything we are
meaning the whole world is inside of you
that means I want you to hold my breath
Someday the sunrise
someday under a flowering tree
I’ll tell you the story of one day
and mud swallows
and of course you want to kiss a prophet
& oysters & oysters
and Vegas someday
We Get All Our Ideas By Looking at This Tree
There are always tectonic plates so we can fall into a sink hole, we can fall into the center of the earth or go all the way through, though I think people may be upset if that’s the case- so maybe we should just stay in California where we saw the ghost of a boy in his Mercedes on the 101 north to Ukiah. We can go to a place where refrigerators hum a perfect F into our own remote deserts not a word in sight. Should I take off your pants? We can go to my dream where we were all swimming and these people, all my friends, looked at me and said “you still look so young.” Drying off in the wind, the tree looks back at us. Can I say something inappropriate for a business meeting? Oh race horse angels take me back! When he leaves then she will stay then she will swim under the pussy willow trees. When she leaves then he will harmonize in books and worms. We’ll all pitch for whoever parks and then I can stop checking my footsteps, their click has become haunting. I put in earplugs or headphones. I play static and rock n roll to drown it all out. I shove tissue into my ears and look for the way out of counting. And then I start taping everything to paper for you. As someone who forgets to live I have the power to resurrect me. Raise your hand if you can’t believe it.
Sophie Appel is a historical map archivist based in Los Angeles. She tends to The Beach and hosts Spit in the Ocean on Lower Grand Radio.