Michael Earl Craig
Winter 2026 | Poetry
The Rudiment
Once upon a time there was a big rock
(who knows how big it was)
in a meadow at the edge of Londinium.
This big rock sat almost entirely underground,
only the tip of it exposed,
the least little bit.
Still, an impressive poke of rock.
One day through this meadow passed a man
who tripped on the tip of this rock.
He stood up and looked at the rock—
this will be the last time, he thought,
that I will trip over this.
The man bent down and grasped what he could
of this rock and tried to lift it.
The rock would not budge.
The man tried and tried until he felt
a little tweak in his lower back—
an electric flash of pain that kept him
from lowering his chin. He wondered how much
of this rock was unbeknownst to him,
and exited the meadow.
Three hundred years passed and another man
walked through the same meadow
and tripped on this rock. He was a more
contemplative man than this other man,
removing first his cloak, then his tunic.
He spat on his hands and bent down
so that he could grasp this rock and lift it,
and throw it as far as possible.
But the rock would not budge.
The man paused, staring at the rock.
He was a descendent of Neanderthals
(although did not think of himself this way)
and bent back down again to lift this big rock
but the rock did not move.
The man became enraged, straining.
He felt an electric flash of pain in his lower back.
He stood up—could now barely move
his head—and left the meadow slowly.
This meadow which, seven centuries later,
would become Norman London.
When Soap Gets Tired
1
It can get dry.
Or it can seem wetter than usual.
The soap dish as cot
for tired soaps—
or the gurney of a soap,
one wheel squeaking.
Like watching old so-and-sos sleeping this
soap getting tired.
[ add one line here? ]
We back out of the room
and close the door.
2
in the sleep-mind
the steeple fights the tower fights
the spire…
Low Voices… Cigarette Smoke…
There is a disturbance at the bottom of a lake
settled silt unsettling
something emerging from goo
it’s a corpse and it breaks free
up off the floor and begins to rise
hair fluttering superbly the corpse does rise
upward though moonlight
cement shoes (lace-less)
one for each foot
as if pushing this thing as it goes
mouth duct-taped
eyes wide open
eyeglasses!
from a dark clump of reeds they come
flying promptly over
attaching themselves to the face of this body
[five more seconds]
head busting through surface
an unsheathing sound
and up a board quickly a blue-suited man
the board tipped down now
abruptly leveled
voices… people squabbling…
god dammit Gary!
clank of rowboat
rowboat sounds
boat moving backwards… backwards…
low voices
cigarette smoke
a van
sound of tires on gravel
sunset
low voices
cigarette smoke…
The Teller
A woman comes out of the bank
(the teller we’ve been hearing about?)
and sees our trucks and comes over
and kneels down and begins checking our tires
she squeezes a tire, gets up, goes to the next tire
she stands up and brushes her skirt
cinders stuck to her knees
and reaches into a vest pocket
pulls out a guitar pick
and goes around to each tire
to let a little air out
she says she “prefers a little less air”
we don’t say anything
can’t think of anything to say
(it’s unusual for us)
then she picks up the two totes
she’s set down on the walk and she leaves
we get into our trucks and start the engines
these are the loudest trucks in town
two big flags mounted on five-foot dowel rods
one on each rear corner of each of our truck boxes
as we start down Main Street they begin to flutter
the flags of two yet-to-be-imagined countries.
Michael Earl Craig is the author of six collections of poetry, most recently Iggy Horse (Wave Books, 2023). He has published poems in various magazines, journals and anthologies—Poetry, The Believer, The New Yorker and The Best American Poetry (2014, 2022) among them. He was Poet Laureate for the State of Montana (2015-2017) and a Civitella Ranieri Foundation Fellow fall 2021. He lives in the Shields Valley where he shoes horses for a living.