Matthew Thorburn

Winter 2026 | Poetry

Flying Home

 

He’s lying on the floor, on his side—

red sweats, yellow socks, one silver

sneaker—bicycling his legs

and turning in a circle. I sit nearby here

at Detroit Metro. I’m reading a magazine—

or I was. Now I’m watching, waiting

to see: What will happen? Because

he’s four, maybe three. Because this woman

who must be his mother looks ground

down, gaunt, her brown hair frizzing out

of its hair-tie. Because he’s buckled

into a harness attached—there is no

other word for this—to a leash

looped around her wrist. So he won’t

wander off. Won’t disappear

into the hundred-odd people milling

around the gate, yawning, looking up

from their phones, wanting to be there

already. I was older than she is

when my son was born, but I remember

that age. He let me hold his hand

whenever I wanted. Laughed often, easily.

Could be stubborn, though never needed

(I thought) to be tied to me like that.

I followed him everywhere. Now this boy

is singing the ABC song. Far off

in his own head, as I am too, remembering

when I could carry Preston, how warm

he always was, his milk breath on my ear,

the dead weight of his sleeping body.

I can’t stop looking, though I try not to look

like I’m watching. “Come on,”

she says in a frazzled voice. “Let’s go.”

But he won’t go. Won’t get up, even

look up, even when she tugs the leash.

Will she drag him away? But then:

“Okay.” A breath. “Fine.” She takes one

long step, turns back, leans close.

Yells “Monsters!” and we both jump.

Matthew Thorburn is the author of six books, including String, a novel in poems; The Grace of Distance, a finalist for the Paterson Poetry Prize, and the book-length poem Dear Almost, which won the Lascaux Prize. Originally from Michigan and for many years a New Yorker, he lives with his wife and son near Princeton, New Jersey, where he works in corporate communications.

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